![]() ![]() Sargent’s career suffered a setback at the 1884 Paris Salon where he exhibited Madame X (1883-1884), the portrait of the young socialite Virginie Amélie Avegno Gautreau. He received positive critiques for portraits like Portrait of Frances Sherborne Ridley Watts (1877) and subject paintings like El Jaleo (1882). ![]() In the late 1870s and early 1880s, Sargent was building his reputation in Paris. In Sargent’s case, the use of the Impressionist technique is noticeable in landscape paintings like Washerwomen (ca. Sargent also experimented with Impressionist techniques at the influence of Claude Monet, whom he met at the second Impressionist exhibition in 1876. During his travels, he painted many genre scenes, such as Rosina, Capri (1878) and Venetian Bead Stringers (1880-1882). After leaving the studio in 1878, Sargent concentrated on building his craft, traveling through Europe and methodically studying works of old masters in Holland, Spain, and Venice. He showed his artistic inclinations at a young age, and in 1874 he began his formal training at the Paris studio of Carolus-Duran. Born in Italy to American parents, Sargent spent his childhood traveling through Europe. A prolific artist, he produced around 900 oil paintings, over 2,000 watercolors and even more sketches and preliminary studies. ![]() John Singer Sargent was one of the leading portraits painters of his generation, creating images of Edwardian Era high society. ![]()
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